10 years ago I was asked to contribute to Mr. Bayard Catron's Glass Flesh project, a series of recordings covering Robyn Hitchcock. Being a huge Robyn fan (or Fegmaniac as it were) I gladly agreed. Electronica was all the rage in 99, and I had just gotten a Boss Dr. Groove drum machine. So I abstracted some acoustic guitars, open tuning them to specific chords, and with my fancy new Pro Tools digital recording and editing rig I set out to make a little deconstructed late 90s electronica stylee Acid Bird.
The results were ok, I was fairly pleased (though still on the engineering learning curve) but for whatever reason it wasn't included on the tribute CD. Pretty much all the songs included ended up being straight covers relatively true to the originals, and mine may have stood out. Or maybe the final disc was corrupt....
Anyway, the story has a happy ending as Bayard gave me a shout about a month ago and asked if I could send him the song again for inclusion on whatever Glass Flesh is going to turn into (the project is up to CD #4 now I believe). So I went back into my old Mac G3 and lo and behold the original files were still there.
I was going to replace the drums for the cheese factor - now I'm on Logic Studio and the drum samples are quite bangin - but because of the deconstructed, fragmented recording method (I literally tuned my acoustic to open C, open D, open A, open G, etc and recorded the chords separately then placed them in the song with the digital editor) it was impossible to sync stuff up in Logic. So the little demo like Dr. Groove is there to stay. It was a fun afternoon remixing the thing. Did re-record the guitar solo at the end as I have improved in 10 years.
You can hear it here: ReverbNation
or if you don't want to sign up for my email list then you can also go here: YourSpace
Learn about Robyn Hitchcock here: RH Official Site
Visit Bayard's Glass Hotel and order Glass Flesh here: The Glass Hotel